{"id":131,"date":"2022-01-03T14:44:42","date_gmt":"2022-01-03T14:44:42","guid":{"rendered":"http:\/\/patriceloubon.fr\/?page_id=131"},"modified":"2024-11-18T16:13:31","modified_gmt":"2024-11-18T16:13:31","slug":"friches","status":"publish","type":"page","link":"https:\/\/patriceloubon.com\/?page_id=131","title":{"rendered":"FRICHES"},"content":{"rendered":"<p>[et_pb_section fb_built=\u00a0\u00bb1&Prime; admin_label=\u00a0\u00bbPage Title\u00a0\u00bb _builder_version=\u00a0\u00bb3.22&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.25&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime; _builder_version=\u00a0\u00bb3.25&Prime; custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.14.1&Prime; text_font=\u00a0\u00bbABeeZee||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb27px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb5px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb header_font=\u00a0\u00bbMuli|700|||||||\u00a0\u00bb header_font_size=\u00a0\u00bb72px\u00a0\u00bb header_line_height=\u00a0\u00bb1.2em\u00a0\u00bb animation_direction=\u00a0\u00bbright\u00a0\u00bb hover_enabled=\u00a0\u00bb0&Prime; header_font_size_tablet=\u00a0\u00bb\u00a0\u00bb header_font_size_phone=\u00a0\u00bb36px\u00a0\u00bb header_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb header_6_font_size__hover=\u00a0\u00bb14px\u00a0\u00bb header_6_font_size__hover_enabled=\u00a0\u00bb14px\u00a0\u00bb header_6_letter_spacing__hover=\u00a0\u00bb0px\u00a0\u00bb header_6_letter_spacing__hover_enabled=\u00a0\u00bb0px\u00a0\u00bb header_6_line_height__hover=\u00a0\u00bb1em\u00a0\u00bb header_6_line_height__hover_enabled=\u00a0\u00bb1em\u00a0\u00bb header_6_text_shadow_style__hover=\u00a0\u00bbnone\u00a0\u00bb header_6_text_shadow_style__hover_enabled=\u00a0\u00bbnone\u00a0\u00bb header_6_text_shadow_color__hover=\u00a0\u00bbrgba(0,0,0,0.4)\u00a0\u00bb header_6_text_shadow_color__hover_enabled=\u00a0\u00bbrgba(0,0,0,0.4)\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb sticky_enabled=\u00a0\u00bb0&Prime;]<\/p>\n<p>Arts en friches<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.14.1&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime; _builder_version=\u00a0\u00bb4.14.1&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.14.1&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb hover_enabled=\u00a0\u00bb0&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb sticky_enabled=\u00a0\u00bb0&Prime;]<\/p>\n<p class=\"p1\">R\u00e9alis\u00e9 par Marie Vanhamme et Patrice Loubon sous les pseudonymes de Rosemary East et Charles Manson pour la biennale d\u2019art contemporain Le Manif, N\u00eemes, 1998<\/p>\n<p class=\"p2\">L\u2019installation comprend 9<span>\u00a0<\/span><span class=\"s1\">tirages<span>\u00a0<\/span><\/span>30X40 cm, une vid\u00e9o sonore de 26mn, un cd-rom, une malle en bois.<\/p>\n<p class=\"p3\">\n<p class=\"p4\">\u00c0 propos de ARTS EN FRICHES<\/p>\n<p class=\"p5\">Tant d\u2019un point de vue social et politique qu\u2019esth\u00e9tique, l\u2019\u00e9tude de l\u2019art dans l\u2019espace urbain est une de mes principales sources d\u2019interrogations et d\u2019engagement. Initiateur \u00e0 N\u00eemes d\u2019une \u00abfriche artistique\u00bb dans le milieu des ann\u00e9es 90 (cf.Rapport Lextrait, \u00e9d.la Documentation fran\u00e7aise, 2002), je reste marqu\u00e9 par l\u2019\u00abalchimie\u00bb humaine n\u00e9cessaire \u00e0 l\u2019existence de tels lieux. Alors que partout, l\u2019on se pla\u00eet \u00e0 nous r\u00e9p\u00e9ter que l\u2019\u00e9poque est \u00e0 l\u2019isolement et \u00e0 l\u2019individualisme, les occupants des friches ne semblent pas suivre cette logique. Echange, convivialit\u00e9, proximit\u00e9 du public et de l\u2019artiste : l\u2019art se d\u00e9cloisonne, il rompt une nouvelle fois les cadres dans lesquels on voudrait bien le maintenir. Sur un autre plan, mon travail de photographe portant depuis plus de dix ans sur le ph\u00e9nom\u00e8ne urbain, ces deux lignes de r\u00e9flexion et de description allaient donc finir par se rejoindre. C\u2019est chose faite avec ce livre. Arts en Friches donc, mais avant tout : nouvelle place de l\u2019art dans la ville, nouvelle relation des artistes \u00e0 la ville, nouvelle exp\u00e9rience pour le public.<\/p>\n<p class=\"p5\">Patrice Loubon, d\u00e9cembre 2001<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.14.1&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime; _builder_version=\u00a0\u00bb4.14.1&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][et_pb_gallery show_title_and_caption=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.14.1&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb gallery_ids=\u00a0\u00bb371,411,410,409,408,407,406,405,404,403,402,401,400,399,398,397,396,395,394,393,392,391,390,389,388,387,386,385,384,383,382,381,380,379,378,377,376,375,374,373,372&Prime; hover_enabled=\u00a0\u00bb0&Prime; sticky_enabled=\u00a0\u00bb0&Prime;][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Arts en frichesR\u00e9alis\u00e9 par Marie Vanhamme et Patrice Loubon sous les pseudonymes de Rosemary East et Charles Manson pour la biennale d\u2019art contemporain Le Manif, N\u00eemes, 1998 L\u2019installation comprend 9\u00a0tirages\u00a030X40 cm, une vid\u00e9o sonore de 26mn, un cd-rom, une malle en bois. \u00c0 propos de ARTS EN FRICHES Tant d\u2019un point de vue social et [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-131","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/patriceloubon.com\/index.php?rest_route=\/wp\/v2\/pages\/131","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/patriceloubon.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/patriceloubon.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/patriceloubon.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/patriceloubon.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=131"}],"version-history":[{"count":1,"href":"https:\/\/patriceloubon.com\/index.php?rest_route=\/wp\/v2\/pages\/131\/revisions"}],"predecessor-version":[{"id":1302,"href":"https:\/\/patriceloubon.com\/index.php?rest_route=\/wp\/v2\/pages\/131\/revisions\/1302"}],"wp:attachment":[{"href":"https:\/\/patriceloubon.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=131"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}